Posts tagged Art

Sightings II constructed / generic / altered / industrial
May 24 - August 3, 2012
A project by Marie-France Daigneault Bouchard, with artworks by Roland Brener, David Duchow, Lauréat Marois, Kim Ondaatje
The Gallery is featuring works from its collection in a series of five satellite exhibitions curated by graduate students in Concordia’s art history and studio arts programmes. Each exhibition takes place in a temporary exhibition display module measuring 8’ X 8’ that will be located on the metro level of the EV Building. Sightings will offer a unique opportunity for students and the public to become familiar with the Gallery’s collection in a new setting, while allowing students to develop their curatorial skills.
Image: Roland Brener, Capital Z, #11, 1993, silver print, Collection of the Leonard & Bina Ellen Art Gallery, Concordia University. Gift of the artist, 1995. Photo : Paul Smith 
http://ellengallery.concordia.ca/en/50years-activities-and-events.php

Sightings II
constructed / generic / altered / industrial

May 24 - August 3, 2012

A project by Marie-France Daigneault Bouchard, with artworks by Roland Brener, David Duchow, Lauréat Marois, Kim Ondaatje

The Gallery is featuring works from its collection in a series of five satellite exhibitions curated by graduate students in Concordia’s art history and studio arts programmes. Each exhibition takes place in a temporary exhibition display module measuring 8’ X 8’ that will be located on the metro level of the EV Building. Sightings will offer a unique opportunity for students and the public to become familiar with the Gallery’s collection in a new setting, while allowing students to develop their curatorial skills.

Image: Roland Brener, Capital Z, #11, 1993, silver print, Collection of the Leonard & Bina Ellen Art Gallery, Concordia University. Gift of the artist, 1995. Photo : Paul Smith

http://ellengallery.concordia.ca/en/50years-activities-and-events.php


Documentation of “Golem”, solo show by Matthew Thomson

Exhibition view of "Golem"

Documentation from my latest solo show entitled Golem, at the Flea Market Gallery in St. Catharines, Ontario. The exhibition displays a breakdown of the creative process, manifested through print, sculpture, video and 3D printing. The link contains the statement for the work as well. http://therecyclingplant.blogspot.ca/2012/05/documentation-of-golem-solo-show-in-st.html

Appel de dossiers/Call for proposals:: Jeune tête d’affiche
:)

Appel de dossiers/Call for proposals:: Jeune tête d’affiche

:)

CCA Special Exhibition Tour for students with Anthony Vidler
Students are invited to a special tour of the upcoming exhibition Notes from the Archive: James Frazer Stirling with curator Anthony Vidler. In English.
May 16, 2012
11 am
Limited attendance
Reservations required:
514-939-7002
James Frazer Stirling : Notes from the Archive
An inside look at the work of British architect James Frazer Stirling, the 400 original architectural drawings, models, and photographs reveal Stirling’s wide-ranging approach to architectural composition and language, as well as the fundamental importance of historical and modernist architecture to his work.
Curated by Anthony Vidler, Dean and Professor of The Irwin S. Chanin School of Architecture at The Cooper Union.
- - -
Monique MacLeod
Coordonnatrice, Programmes éducatifs
Coordinator, Educational Programs
Centre Canadien d’Architecture
Canadian Centre for Architecture
1920, rue Baile, Montréal, Québec  H3H 2S6
T 514 939 7001 x 2608
F 514 939 7020
www.cca.qc.ca

CCA Special Exhibition Tour for students with Anthony Vidler

Students are invited to a special tour of the upcoming exhibition Notes from the Archive: James Frazer Stirling with curator Anthony Vidler. In English.

May 16, 2012

11 am

Limited attendance

Reservations required:

514-939-7002

James Frazer Stirling : Notes from the Archive

An inside look at the work of British architect James Frazer Stirling, the 400 original architectural drawings, models, and photographs reveal Stirling’s wide-ranging approach to architectural composition and language, as well as the fundamental importance of historical and modernist architecture to his work.

Curated by Anthony Vidler, Dean and Professor of The Irwin S. Chanin School of Architecture at The Cooper Union.

- - -

Monique MacLeod

Coordonnatrice, Programmes éducatifs

Coordinator, Educational Programs

Centre Canadien d’Architecture

Canadian Centre for Architecture

1920, rue Baile, Montréal, Québec  H3H 2S6

T 514 939 7001 x 2608

F 514 939 7020

www.cca.qc.ca

The international “Elektra” festival is coming to Montreal.

Steven Woloshen’s (MFA 2010) short film, “Playtime” will screen in the cinema portion of this wonderful international festival. Read more.

Facebook invite for “14” —>vernissage<—show at Stewart Hall Gallery. If you have FB please invite yourself, family, and friends, if you are one of the “14” please add yourself as a host.
See you there!
http://www.facebook.com/events/288161017939018

Facebook invite for “14” —>vernissage<—show at Stewart Hall Gallery. If you have FB please invite yourself, family, and friends, if you are one of the “14” please add yourself as a host.

See you there!

http://www.facebook.com/events/288161017939018

Khadija Baker- Showing in the 18th Biennale of Sydney! Congrats!

Khadija Baker- Showing in the 18th Biennale of Sydney! Congrats!

Sightings

The Gallery is featuring works from its collection in a series of five satellite exhibitions curated by graduate students in Concordia&#8217;s art history and studio arts programmes. Each exhibition takes place in a temporary exhibition display module measuring 8’ X 8’ that will be located on the metro level of the EV Building. Sightings will offer a unique opportunity for students and the public to become familiar with the Gallery’s collection in a new setting, while allowing students to develop their curatorial skills.


Sightings I: Inundations
April 5 - May 18  A project by Anne-Marie Proulx, with artworks by Raymonde April
Anne-Marie Proulx is interested in the effects of accumulation and regrouping of photographs in Raymonde April’s artistic practice. In the context of Sightings I: Inundations, Proulx examines the influence of the photographs’ presentation context on their reception, their capacity to evoke other images, as well as the correspondences that could emerge between them. This project proposes three investigations into Raymonde April’s artwork Tout embrasser: two photographs extracted from its original 517 components; the eponymous publication which contains reproductions of the two exhibited photographs, revealing their relationship to the others in the April’s series; as well as a personal and narrative interpretation of the artist’s images.
http://ellengallery.concordia.ca/en/50years-activities-and-events.php

Sightings

The Gallery is featuring works from its collection in a series of five satellite exhibitions curated by graduate students in Concordia’s art history and studio arts programmes. Each exhibition takes place in a temporary exhibition display module measuring 8’ X 8’ that will be located on the metro level of the EV Building. Sightings will offer a unique opportunity for students and the public to become familiar with the Gallery’s collection in a new setting, while allowing students to develop their curatorial skills.

Sightings I: Inundations

April 5 - May 18
A project by Anne-Marie Proulx, with artworks by Raymonde April

Anne-Marie Proulx is interested in the effects of accumulation and regrouping of photographs in Raymonde April’s artistic practice. In the context of Sightings I: Inundations, Proulx examines the influence of the photographs’ presentation context on their reception, their capacity to evoke other images, as well as the correspondences that could emerge between them.

This project proposes three investigations into Raymonde April’s artwork Tout embrasser: two photographs extracted from its original 517 components; the eponymous publication which contains reproductions of the two exhibited photographs, revealing their relationship to the others in the April’s series; as well as a personal and narrative interpretation of the artist’s images.

http://ellengallery.concordia.ca/en/50years-activities-and-events.php

Click the photo to preview the catalogue! 

Click the photo to preview the catalogue! 

This show is AMAZING! Come check out the indigo labyrinth at the &#8216;moitissage&#8217; this Thursday, April 19th!
April 4 – 30 Avril 2012&#160;
Exposition: Indigo Griots: Tales of an urban dyer – Montréal  by Valérie d. Walker. Indigo Griots: Montréal  is an intermedial (analogue -&gt; digital and back again)  lattice of exhibition, performances, artist talks, workshops,  demonstrations and guided studio visits all taking place at EspaceFibre’s dye studios &amp; exhibition space.
The central threads of our presentation are the dyer’s obsession with the magic of colour and pattern;  how magic and personal stories are entwined with collective memory.   Our binding power is Indigo, elemental power, a diety so love-filled,  once Indigo grabs a’hold of a heart it never lets go.  Blending residue of Fire (Ash), Plant cakes, Water and Heat we try to catch Magic on our Cloth.
Valérie d. Walker in collaboration with Espace Fibre Artists Helene Brousseau, Natalie Tremblay and Jessica Lemus-Coto,  presents an immersive, large scale, Labyrinthine installation of Indigo dyed cloth-panels embedded with layered meanings.
In the labyrinthe are projections, onto cloth, of video extracts from the Indigo Griots, Minneapolis 2011,  performance featuring shakuhachi flute and “tellings” by Mr. Douglas Ewart, mixed with griots experiences in Montréal around the dye pots.
www.espacefibre.com


This show is AMAZING! Come check out the indigo labyrinth at the ‘moitissage’ this Thursday, April 19th!

April 4 – 30 Avril 2012 

Exposition: Indigo Griots: Tales of an urban dyer – Montréal  by Valérie d. Walker. Indigo Griots: Montréal  is an intermedial (analogue -> digital and back again)  lattice of exhibition, performances, artist talks, workshops,  demonstrations and guided studio visits all taking place at EspaceFibre’s dye studios & exhibition space.

The central threads of our presentation are the dyer’s obsession with the magic of colour and pattern;  how magic and personal stories are entwined with collective memory.   Our binding power is Indigo, elemental power, a diety so love-filled,  once Indigo grabs a’hold of a heart it never lets go.  Blending residue of Fire (Ash), Plant cakes, Water and Heat we try to catch Magic on our Cloth.

Valérie d. Walker in collaboration with Espace Fibre Artists Helene Brousseau, Natalie Tremblay and Jessica Lemus-Coto,  presents an immersive, large scale, Labyrinthine installation of Indigo dyed cloth-panels embedded with layered meanings.

In the labyrinthe are projections, onto cloth, of video extracts from the Indigo Griots, Minneapolis 2011,  performance featuring shakuhachi flute and “tellings” by Mr. Douglas Ewart, mixed with griots experiences in Montréal around the dye pots.

www.espacefibre.com

A few studio snapshots and works in progress - Beth Frey, 1st year Painting and Drawing MFA

A few studio snapshots and works in progress - Beth Frey, 1st year Painting and Drawing MFA

Check out my newly changed website! (It&#8217;s a tumblr: please follow them~!)
Merci- Jenna Meyers

Check out my newly changed website! (It’s a tumblr: please follow them~!)

Merci- Jenna Meyers

jennameyerslikes:

revelandrioton:

Revel and Riot meets the Westboro Baptist Church at the Reason Rally in DC. 
WE WIN.

Epic, spread this photo. FTW

Humor for the day. 

jennameyerslikes:

revelandrioton:

Revel and Riot meets the Westboro Baptist Church at the Reason Rally in DC. 

WE WIN.

Epic, spread this photo. FTW

Humor for the day. 

Thank you!

Thank you all for coming to our successful opening! We appreciate the support and interest. The show will be up for two weeks.

Merci! :)

Vernissage Tonight!

See you all tonight at the opening! 6pm! :)